Collaborations: Can you share an experience from a past collaboration, like with Top Shelf Records, that changed the way you approach illustration?

B: Working with Top Shelf Records was a fantastic learning experience. Collaborating with artists like Lunarette, with Kevin’s support, was seamless and enjoyable. It was fascinating to gain insight into the artists’ creative process and the emotional core of their music. The organized and supportive environment allowed me to focus on my artistic contribution without any distractions, which was invaluable.

Personal Growth: How has your time at Happy People Studio or the Bangkok Illustration Fair helped you grow as an artist?

B: I see every experience as a chance for personal and artistic growth. Connecting with people from different backgrounds, learning about their approaches, and hearing their stories is incredibly valuable. I feel I evolve with each collaboration, and I appreciate this opportunity to reflect on my own journey through this interview. Thank you.

Artistic Challenges: What has been the most challenging piece you’ve created, and how did you overcome those challenges?

B: My first project with Apple was definitely a learning curve, not so much because of the artwork itself, but more due to the intricacies of their workflow and team collaboration. The level of detail in their file preparation and communication was quite different from what I was used to. However, I adapted quickly and found my footing after that initial project.

In terms of specific artistic challenges, I recall a personal painting project where I was experimenting with texture techniques in my own style. I encountered some unexpected issues, and had to find creative solutions on the spot. It was a valuable lesson in problem-solving and thinking on my feet. Overall, I believe that any challenge can be overcome with a flexible mindset and a willingness to learn. It’s not just about the end result, but also about the process and what you take away from it, both from successes and mistakes.

Inspirations: Beyond visual art, are there books, music, or films that have left a significant imprint on your creative process?

B: My creative process is deeply influenced by a variety of sources. Musically, I find a lot of inspiration in Japanese city pop, as well as artists like Lunarette from Top Shelf Records. These sounds often evoke strong emotions that I strive to capture visually in my artwork. Cinematically, films like Forrest Gump and Poor Things have resonated with me, and I’m exploring how their imagery and emotional undertones can translate into my drawings. I’m also a great admirer of Wes Anderson’s work, particularly his masterful use of symmetry and color. Finally, manga has become a significant influence, especially in how it depicts movement and action through dynamic visual effects. I’m currently experimenting with incorporating these techniques into my own artistic style.

Representation of Emotions: Your work captures a sense of liveliness. How do you approach illustrating emotions and moods to connect with your audience

B: I create art with the hope of connecting with people on a positive level. My goal is to evoke joy and uplift the spirit, and I choose my subjects and colors with that in mind. The creative process is a very joyful one for me, and I believe that joy is communicated through the artwork. I’m particularly drawn to bright, vibrant colors, as they seem to resonate so well with positive emotions.

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